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White Collar – Neal Junior?

I loved Mozzie pulling a "Scrooge McDuck" in order to help Scott disappear … ala Barney Stinson and the great job CBS does extending his -- and his show's -- brand, wouldn’t it be awesome if Mozzie and Neal came out with a book of cons for the common man?

- Season 3, Episode 6 - "Scott Free"

It’s never a good idea to start an episode of White Collar with a Sara scene. I totally don’t understand what she’s doing with Neal or as a recurring part of the cast, and her participation in last night’s caper did nothing to change my opinion of her.

But it was a fun case. I’m not sure I’ve ever bought into the do-gooder angle that gets coupled with so many criminal stories — I’m not a Robin Hood fan — but that doesn’t mean I can’t appreciate a funny, ironic habit that an otherwise dishonest individual wears like an ill-fitting tick. And Scott Rivers (Hutch Dano) had a doozy: donations made to charities loosely related to items that he stole.

What was missing was a substantiation of Scott as a con, a background that would establish him as the grand artist Peter was making him out to be. A better way to have introduced his character would have been to sprinkle mentions of him over multiple episodes before having Peter and Neal hunt him down. At least give it more than thirty minutes before Neal catches up to him … how good could he be?

That was actually the weakest part of an otherwise enjoyable episode: the comparison to Neal. Maybe it was Scott who was lacking, or maybe it was just how the episode was constructed, but I didn’t so much feel that we were looking at a young Neal as I felt we were being told that we were. If anything I think Neal must have felt insulted — not jealous — when everyone at the office was making the comparison. And if Peter really was feeling a “Neal challenge” coming from Scott, then he’s losing his touch.

Again, on its face the episode was fun. The party where the motorcycle was stolen? All cool. But I’m pretty sure Neal wouldn’t have been reduced to driving the motorcycle through a plate-glass window; seems way too messy and unsophisticated for the man we’ve come to know. For me the comparison detracted from the episode. Delete all of the “Young Neal” stuff, and this was a classic, old school episode of White Collar.

The other big story, of course, was Mozzie and Neal’s continued pursuit of their big exit. In a way this is partially another example of shoddy plot establishment. I believe that Neal would be looking to leave … it makes sense based on who he is. But the show failed to make that clear over the last two seasons, and as a result many viewers have legitimately questioned whether or not Neal skipping town makes any sense.

A con’s life is all about the big final score and retirement, which is something Neal has within his reach right now. But the fact that we’d never heard him and Mozzie talk about a final con before the U-boat discovery means that, plot-wise, it’s coming as a big surprise. Would it have been so difficult to drop hints from day one?

And why was Sara’s discovery of Neal’s fake passport a big reveal? It sucks that she found it — why are people so nosy? — but is it surprising that a guy like Neal would have a fake passport hidden in a safe place? If Sara’s shocked (and we don’t know yet that she is), then maybe she needs to reexamine who she thinks she’s sleeping with.

And maybe stop?

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Photo Credit: USA Network

9 Responses to “White Collar – Neal Junior?”

July 13, 2011 at 3:15 PM

Neal and Mozzie have been after the big score throughout the seasons – the music box. They finally found the spoils of the whole music box quest and now are thinking about leaving. They couldn’t leave before because they hadn’t found the treasure.

I’ve read speculation that Neal left the picture safe open on purpose, so she would find the passport. With all the discussion of black/white/gray areas, I can buy that. He wants her to figure out what is going on. What I’m not sure is does he want her to stop him or go with him?

Given the conversation between Neal and Scott, I think he actually wants Sara to stop him from going off and constantly being on the run.

July 13, 2011 at 3:50 PM

I don’t know … I’ve never read the music box as anything more than a play to solve the Kate mystery. I didn’t feel like they knew the U-boat treasure was coming. Maybe I missed something there.

I agree that in a way Neal seems not to want to go; the plan has always felt driven by Mozzie. But Neal’s a big boy … would he need to “con” someone else into getting him to stay? Is he that afraid that Mozzie won’t understand?

July 13, 2011 at 4:07 PM

The music box was the key to finding the U-boat and the treasure.

I think it is likely he meant for her to find the passport. I think it was a test more to see if she would come with him. I don’t think he consciously wants her to stop him, but that ultimately that is what will happen. And, given the conversation with Scott, I don’t think he really wants to go. But, that is buried deep inside him.

I don’t think it has anything to do with Mozzie. It is all about what Neal really wants versus what he thinks he wants.

July 13, 2011 at 9:07 PM

But I never got the impression that Mozzie and Neal were pursuing the music box for anything beyond solving the mystery of who killed Kate. I don’t think it was a score to them … it was the answer to a riddle. That it led to the U-boat seemed to surprise them as much as it surprised us.

Interesting thought about the passport. Maybe Neal himself can’t believe that he actually enjoys life on the right side of the law … but Sara’s the person he wants bringing him back from the dark side? How did she manage to succeed where someone Alex failed? :(

July 14, 2011 at 9:28 PM

It always seemed clear that the music box was another key to a larger mystery. I’m pretty sure Neal and Mozzie had no idea what revelation(s) the music box would lead to, but they figured it had to be something valuable. Chances are when the writers came up with the music box they didn’t have a specific treasure or prize in mind, but it was definitely always one clue in a larger puzzle along with the Kate storyline.

I’m not liking Sara, either. We need to lose her and give even more time to, as Mozzie would call her, “Mrs. Suit.”

July 15, 2011 at 2:45 PM

Interesting theory. I never quite understood how the music box would solve any mystery, let alone a murder, but regardless I definitely didn’t see Mozzie and Neal eying it as a final score. I still feel as if it’s a legitimate goal for the two that the show simply failed to illustrate for us until now. Keep in mind that, even if Neal and Mozzie were looking to steal the U-boat haul from Vincent Adler since he beat them years ago, he wasn’t introduced to us until deep into the music box mystery.

I’m just saying it wasn’t thought out very thoroughly … which you seem to agree with! :)

July 15, 2011 at 6:01 PM

The final goal was definitely unclear, I’m just saying the music box always seemed to be one puzzle in a larger mystery. We both agree it wasn’t thought out very thoroughly at the time of the introduction of the music box itself.

July 14, 2011 at 1:59 PM

Almost halfway through the 3rd season, and although enjoyable, I feel there’s something off about the series. I really watch for Neal and Peter, so perhaps there’s been too little of them working/interacting and too much of the supporting characters. I also totally agree about Sara. The chemistry seems forced.

July 14, 2011 at 3:57 PM

Along those lines, there was a sentiment that I ended up not expressing in my review. I hate to admit it, but sometimes the show doesn’t feel as “special” as it once did. Something is, indeed, off.

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